A Love Story is presented in Mythological form in JITHAN of SUPER
GOOD FILMS and RADAAN MEDIA WORKS.
Soorya ( RAMESH), a innocent dejected boy, is in love with Priya (POOJA),
a neighborhood girl, who is in love with Ajay( RAKESH). Soorya attains
super power (invisible to others) and tries to prove his supremacy and
due course becomes a wanted criminal. He falls to the Police trap where
he expresses the one-sided deep love to Priya followed by a dramatic
RAMESH (Soorya) has Played a convincing role in his debut film.
Exclusively in Innocence Scenes, but lacks in differentiating the
character from innocence to mysterious.
POOJA: Has done her role as a Charming Lover and excels in
climax, which was the only scene she had scope for acting and she
reminds the days of youthful SIMRAN. She looks pleasant in dance
sequences, especially the first song.
SARATH KUMAR: Encounter - Specialist chaser role of a police
officer. His visits act as stimuli to the tempo of the film. He keeps
the story crisp in the second half.
LIVINGSTON, NALINI, SV.SEKAR, KALABAWAN MANI have done justification to
the roles assigned.
Director VINCENT SELVA has to be praised for his selection of
sequence of scenes, particularly the scenes in which hero expresses his
love and proves his innocence. The interesting screenplay makes the
story worth watching, which otherwise would be boring.
MUSIC / SONGS:
Remix Song 'kunguma poove' was the most attractive of all songs. All
other songs also good to hear and watch.
RAMESH was K V ANAND'S Assistant who has done his Telugu films and has
made debut in Tamil film, through JITHAN and concentrated in camera
angles which are very expressive. In general, cinematography plays a
pleasant role in song sequences.
SECENS I LIKED MOST:
representation of the hero in climax.
Convincing the heroine in climax and justifying the hero's character.
established Hero's innocence.
endowed with mysterious power, the way he tests in front of the mirror
by wearing different costumes to ensure his newly -acquired power.
Theatre sequence in which the hero creates a rift between Pooja and
Rakesh (the second hero) by disturbing front bench viewer's wife.
Comedy scene in restaurant and extended further to a Psychiatrist
reveals that talent of Ramesh to handle comedy scenes naturally.
pesi theekra prachana illa ; theethuttu pesara prachana "
( " It is not a Problem which has to be settled through dialogue; first
settlement and then dialogue ")
seialana nama khakhi satta potta watchman , police illa "
( " We are supposed to be Police Officers, not watchmen donning Khaki
"To find yourself;
First lose yourself".
Mythological Story with love and thrill. Worth watching.
See JITHAN Album